When was picked up by 's Flying Buddha, the label added a bonus version of 'Nakamarra' - the album's most direct, traditional song - with a guest verse. The young Australian avant-R&B quartet needed it more for visibility than for credibility. The move worked, at least with Recording Academy voters, who nominated that version for a 2014 Grammy in the category of Best R&B Performance.
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Provided a lot to absorb in its 35 minutes. In some ways - literally, for example - is twice the album. Seventy minutes in length, it can be split in half and taken as two volumes that surpass what preceded it. The band refines and broadens its attack. From track to track, one ingenious idea trails another. Vocal melodies and guitar wriggles sneak up and tickle the ears, burbling electronics mingle with spiny acoustic guitars, time signatures abruptly switch and stun.
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Considering five fragmentary interludes of varying consequence and so much nonlinear structuring within the proper songs, isn't always easy to follow. The lyrics of athletic vocalist and guitarist, dizzying on their own, mix natural, supernatural, and technological subjects and are delivered in an array of styles. She gets more personal on late 2014 A-side 'By Fire,' a burial song inspired in part by her father's house-fire death. Its significance is easy to miss through the battle-theme opening, frenetic mass of swirling/zipping synthesizer action, and octopedal drumming. As out-there as the material gets, rich highlights such as 'Laputa,' 'Borderline with My Atoms,' and 'Breathing Underwater' are thoroughly winsome, cast in warm light.
Progressive-eclectic DJs like, and could not have dreamt them up. Within the context of a playlist, any one of a dozen songs here could bridge '50s bop to '60s MPB, or '70s art rock to '80s boogie, or '90s neo-soul to 2000s dubstep. Equally remarkable is that none of it seems devised.
It's like these musicians simply radiate the stuff.
Hiatus Kaiyote's Choose Your Weapon plays like a soundtrack to a multidimensional utopia. Hiatus Kaiyote (a mix of peyote and coyote) is a band from Melbourne, Australia that came together when lead vocalist Nai Palm was seen at a local concert by bassist Paul Bender who was immediately drawn to Palm's lyricism and complex musical arrangements. The two began collaborating and later joined with multi-instrumentalist Perrin Moss and keyboardist Simon Mavin. The band is a collaborative project, taking from the sonic inspirations of Perrin Moss who has a background in hip hop, glitch hop, and percussion, along with Simon Mavin, who's a classically trained pianist and keyboardist (experienced with turntablism and synthesizers), and Paul Bender as a classically trained bassist. Hiatus Kaiyote's 'Tawk Tomahawk' Flying Buddha (2012) Tawk Tomahawk (Flying Buddha, 2012), their first album, gained a Grammy nomination for the soulful 'Nakarrama' featuring Q-Tip.
With their most recent release, Choose Your Weapon (Flying Buddha, 2015), Hiatus Kaiyote has developed a multi-colored sound pulling from classical and historical genres like soul, jazz, opera, hip hop, and electronica. Not bound to any particular sound, music critics have called Hiatus Kaiyote 'future soul,' noting that their sound complicates and expands upon the familiar. Hiatus Kaiyote's 'Choose Your Weapon' Flying Buddha (2015) Hiatus Kaiyote's Choose Your Weapon plays like a soundtrack to a multidimensional utopia where technology, humans, and aliens live in harmony — think Valerian and the City of a Thousand Planets (2017), but with the emotional stimuli of an Andrei Tarkovsky film. In simpler terms, Choose Your Weapon is a beautiful visual poem for the ears. Nai Palm is at the emotional core of the compositions; her stories, her experiences make up the sound of Hiatus, blending feminine and masculine energy into one. The band incorporates groove sessions into their studio recordings that melt into instrumental overloads creating larger than life sonic explosions —even the accompanying artwork for Choose Your Weapon and Tawk Tomahawk show wildlife in states of ecstasy and raw energy.
Hiatus Kaiyote is like a spirit animal that could live in Spirited Away (2001); a loud, monstrous beast who silently dissipates into the smoke after obliterating everything in its path. Hiatus Kaiyote On an experimental level, Hiatus ranges from spoken-word poetry to synth-infused opera rock with the lyrical genius of Lauryn Hill and, both female neo-soul musicians Palm has named as influencers in her songwriting process. Palm's lyrics are a representation of the female experience: a woman's account of lust, desire, loss, pain, anger, fear — these experiences are beautifully strung together by lush piano chords and synths as the bass bubbles beneath the surface. Choose Your Weapon expands upon the poetic lyricism that made Tawk Tomahawk innately feminine, ballsy, and just plain delicious. The girl can write. Nai Palm of Hiatus Kaiyote Photo by: Matthew Eisman 'Shaolin Monk Motherufnk' was inspired by a trip to Uluru (a rock formation in Australia) on Palm's twenty-first birthday. The song is an ode to maturity and womanhood, a love letter to Palm's youth and state as a young woman experiencing love and loss in the calamity of nature.